Reece Terris

Reece is a witty nerd with amazing sense of humor. If you don’t believe me, take a look at his work. Reece Terris is a Vancouver based artist whose work alters the expected experiential qualities of a place or object through an amplification or shift in the primary function of an original design. Past projects include a six-storey apartment building temporarily

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Richard Jackson: The Little Girl’s Room

This is sick. Meet Richard Jackson’s imagination and twisted fantasies. His first solo gallery exhibition in Los Angeles in 20 years, the show is a significant milestone for an artist whose work has continually expanded and redefined the physical and conceptual reach of painting since the 1970s. A painting in the largest possible sense of the word, and the latest

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Doppelgänger by Didier Faustino

Bad kissers are everywhere. God knows I unfortunately know loads of them. They either try to lick your face like a baset or just stay there with their mouth open and play the dead man. Sean, who has the same slimy problem with disappointing kissers, stumbled upon this amazing new make-out teaching device for couples. It is a witty art project

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Nathaniel Mellors

Thanks to Sean’s overly excited report on Nathan Mellors’ exhibition in the ICA in London and after some video soul searching, the next logical step is to share the art on Grateful Grapefruit. Born in Doncaster, England 1974, Nathaniel lives and works in London. He studied 1999–2001 at the Royal College of Art, London and 1996–1999 at Ruskin School, Oxford University.

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Anders Krisár

Swedish artist/photographer Anders Krisar (1973) his obsessed with realistic textures and recreating human psychology, mostly skin. Yet he is deforming the bodies, leaving his finger prints in the arms of his artwork. I especially enjoy the last piece, a bronze cast attached to a heat isolator in close proximity to another cast made of beeswax. Anders is born and raised

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Patricia Piccinini

I am superficial. At least when it comes to things I see and smell. When I first saw Patricia Piccinini’s sculptures, I was grossed out. But on the second look they managed to make me feel in the same time sorry for them and feel comforted by their calm facial expressions. I guess that’s what pretty much everyone’s reaction is to

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