I personally know 3 women who would immediately strip to pose for Pascal Möhlmann. But that’s not the point.
Although you might think otherwise, Möhlmann doesn’t see his work as erotic and based on fetishes. He doesn’t see a narrative in there either. Pascal ended up living in Zürich after he met his now wife at a party in Basel some years ago. And just because the town was so small and provincial the couple decided to move to the city (as much as this could be said about Zürich)
His Gallery of Idiots catalogue includes the first 27 of all idiots in an ongoing speed painting project with the same name. However I’ve selected some of his earlier works that also capture the real essence of Möhlmann’s work, which focuses on egoism, selfless worship and male domination.